Stephen Shore Uncommon Places The Complete Works
Stephen Shore Uncommon Places The Complete Works
- 大片幅相機的精準景深:肖爾放棄了方便的 35mm 相機,改用 8x10 大片幅相機,以極高的清晰度與豐富細節,冷靜記錄美國的街道、加油站、餐館與旅館房間。
- 平凡之處的非凡視角:不同於傳統壯麗的風景照,肖爾專注於美國公路文化中「不尋常的平凡場所」(Uncommon Places),將垃圾桶、斑馬線、平淡無奇的建築轉化為嚴謹的視覺構圖。
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彩色攝影的藝術合法化:在 1970 年代以前,彩色膠卷普遍被認為只適用於廣告和家庭娛樂。肖爾與威廉·埃格爾斯頓(William Eggleston)等人共同打破了這項偏見,將彩色攝影推入藝術館的殿堂。
Stephen Shore: Uncommon Places - The Complete Works is the most classic masterpiece of Stephen Shore, an American master of contemporary photography, and also lays the foundation for new color photography. (New Color Photography) a landmark work of historical status. This book was first published (and reprinted many times) by Aperture, a well-known art publishing house, in 2004. It fully includes the ordinary daily life and American landscape captured by Shore using a large camera during his road trip across the United States in the 1970s.
The core values and characteristics of the photography collection
This photo collection has profoundly influenced the concept of documentary photography and color photography in later generations:
Accurate depth of field of large-scale cameras: Shore gave up the convenient 35mm camera and changed to an 8x10 large-scale camera to calmly record the streets, gas stations, restaurants and hotel rooms in the United States with extremely high clarity and rich details.
Extraordinary perspective of ordinary places: Unlike traditional magnificent landscape photos, Shore focuses on "Uncommon Places" in American highway culture, transforming trash cans, zebra crossings and plain buildings into rigorous visual composition.
The art legalization of color photography: Before the 1970s, color film was generally considered only for advertising and home entertainment. Shore broke this prejudice with William Eggleston and others and pushed color photography into the hall of the art museum.
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