{"product_id":"david-balzer-curationism-how-curating-took-over-the-art-world-and-everything-else","title":"David Balzer  Curationism How Curating Took Over The Art World And Everything Else","description":"\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgSEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\n\u003cem class=\"zhvwWe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\u003cu class=\"wfWfIf fxyaSe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\u003cspan data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\u003cspan data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003ca href=\"https:\/\/www.google.com\/search?kgmid=%2Fg%2F11b5m3ts45\u0026amp;q=Curationism%3A+How+Curating+Took+Over+the+Art+World+and+Everything+Else\"\u003eCurationism: How Curating Took Over the Art World and Everything Else\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e 是\u003cmark class=\"b6AQX\" data-wiz-attrbind=\"class=eqmYyb_28\/cFwyDc\" data-sfc-root=\"c\" data-ved=\"2ahUKEwjxm773lvWXAxUIa2wGHdEgMQ0QuJAPeggIAggBCBIQAg\" data-complete=\"true\" data-sae=\"\"\u003e加拿大作家與編輯 \u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eDavid Balzer\u003c\/strong\u003e 於 2014 年出版的文化評論著作\u003c\/mark\u003e。這本書深入探討了「策展」（Curation）如何從原本局限於博物館和美術館的專業工作，演變成當今社會無孔不入的流行語、商業策略與生活風格。\u003cspan\u003e [\u003ca href=\"https:\/\/www.amazon.com\/Curationism-Curating-World-Everything-Exploded\/dp\/1552452999\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/www.books.com.tw\/products\/F013266618?srsltid=AYCX9vKetpV58AMjMMdGlEQHZcDnyLlP8S-EcKLYaJjAuHWWC7GhlON_\"\u003e2\u003c\/a\u003e, \u003ca href=\"https:\/\/archive.org\/details\/curationismhowcu0000balz\"\u003e3\u003c\/a\u003e, \u003ca href=\"https:\/\/www.goodreads.com\/book\/show\/20702498-curationism\"\u003e4\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgXEAA\" data-complete=\"true\" data-processed=\"true\"\u003e以下是這本書的核心概念與論點摘要：\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=eqmYyb_2s\/fLk2Md\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgYEAA\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e核心論點\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgZEAA\" data-complete=\"true\" data-processed=\"true\"\u003eBalzer 提出了一個核心概念——\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e「策展主義」（Curationism）\u003c\/strong\u003e。他指出，當代社會陷入了一種對策展的集體迷戀。現在我們不僅策展藝術展覽，連音樂節、手作起司、婚禮歌單，甚至三明治（如 Subway 的「三明治藝術家」）都在被「策展」。他認為這種現象反映了現代人在資訊與商品爆炸的時代，對於\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e建立個人品味、篩選價值以及對抗選擇焦慮\u003c\/strong\u003e的渴望。\u003cspan\u003e [\u003ca href=\"https:\/\/www.goodreads.com\/book\/show\/20702498-curationism\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/archive.org\/details\/curationismhowcu0000balz\"\u003e2\u003c\/a\u003e, \u003ca href=\"https:\/\/www.amazon.com\/Curationism-Curating-World-Everything-Exploded\/dp\/1552452999\"\u003e3\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=eqmYyb_36\/fLk2Md\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgaEAA\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e內容歷史與演變\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAA\" data-complete=\"true\" data-processed=\"true\"\u003e書中將策展的發展分為兩大脈絡：\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003col class=\"T9WCjf qkgVBf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgcEAE\" data-complete=\"true\" data-sae=\"\"\u003e\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e字源與歷史演變\u003c\/strong\u003e：字根源自拉丁文 \u003cem class=\"zhvwWe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003ecura\u003c\/em\u003e（意為照顧、關懷或責任）。早期羅馬的策展人是國家官僚，中世紀則是照料教區靈魂的牧師（Curate）。到了文藝復興和啟蒙時代，他們轉化為博物館中保管、修復文物的「保管員」（Caretaker）。\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgcEAI\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e藝術世界的主宰\u003c\/strong\u003e：20 世紀中葉起，隨著前衛藝術（Avant-garde）和概念藝術的興起，策展人從幕後的保管員走向台前，轉變為**「展覽製造者」與「品味決定者」**（如傳奇策展人 Harald Szeemann 或當代明星策展人 Hans Ulrich Obrist）。在當代藝術界，明星策展人的光芒甚至有時會掩蓋、同化個體藝術家的創作。\u003c\/span\u003e\u003cspan\u003e [\u003ca href=\"https:\/\/peacenews.info\/node\/8167\/david-balzer-curationism-how-curating-took-over-art-world-and-everything-else\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/eclass.asfa.gr\/modules\/document\/file.php\/TMB184\/%CE%9C%CE%AC%CE%B8%CE%B7%CE%BC%CE%B1%201%20%CE%95%CF%80%CE%B9%CE%BC%CE%AD%CE%BB%CE%B5%CE%B9%CE%B1%2C%20%CE%B1%CF%85%CF%84%CE%AE%20%CE%B7%20%CE%BD%CE%AD%CE%B1%20%CE%BC%CF%8C%CE%B4%CE%B1\/Curationism%20%28Balzer%29.pdf\"\u003e2\u003c\/a\u003e, \u003ca href=\"https:\/\/www.amazon.com\/Curationism-Curating-World-Everything-Exploded\/dp\/1552452999\"\u003e3\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=eqmYyb_3w\/fLk2Md\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgfEAA\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e批判與反思\u003c\/div\u003e\n\u003cul class=\"XSq4R KI3fJ\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAI\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e價值的廉價化\u003c\/strong\u003e：當任何的「挑選」與「編輯」行為都被冠上策展之名，原本代表深厚專業與鑑賞力的主體性便遭到稀釋，變成了商業上為內容加值的一種 immaterial labour（非物質勞動）。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAM\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e階級與人脈驅動\u003c\/strong\u003e：當代藝術界高度依賴人脈與策展機構的背書，這導致了主流藝術的建制化與無趣，反而壓制了真正具有草根性、DIY 精神的藝術創作。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAQ\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e數位時代的自我策展\u003c\/strong\u003e：在社群媒體時代，每個人都在網路上透過照片、文字「策展」自己的完美生活與個人品牌，這使策展主義最終蔓延到每個人的自我認知中。\u003c\/span\u003e\u003cspan\u003e [\u003ca href=\"https:\/\/aaa.org.hk\/en\/collections\/search\/library\/curationism-how-curating-took-over-the-art-world-and-everything-else\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/www.amazon.com\/Curationism-Curating-World-Everything-Exploded\/dp\/1552452999\"\u003e2\u003c\/a\u003e, \u003ca href=\"https:\/\/www.researchgate.net\/publication\/316633519_Curationism_How_curating_took_over_the_art_world_and_everything_else_by_David_Balzer\"\u003e3\u003c\/a\u003e, \u003ca href=\"https:\/\/peacenews.info\/node\/8167\/david-balzer-curationism-how-curating-took-over-art-world-and-everything-else\"\u003e4\u003c\/a\u003e, \u003ca href=\"https:\/\/www.academia.edu\/78829094\/Curationism_How_curating_took_over_the_art_world_and_everything_else_by_David_Balzer\"\u003e5\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCurationism: How Curating Took Over the Art World and Everything Else is a cultural commentary published in 2014 by Canadian writer and editor David Balzer. This book deeply explores how \"Curation\" has evolved from the professional work originally limited to museums and art galleries to the imperceptable buzzwords, business strategies and lifestyles in today's society. [1,2,3,4]\u003c\/p\u003e\n\u003cp\u003eThe following is a summary of the core concepts and arguments of this book:\u003c\/p\u003e\n\u003cp\u003eCore arguments\u003c\/p\u003e\n\u003cp\u003eBalzer put forward a core concept - Curationism. He pointed out that contemporary society has fallen into a collective obsession with countermeasures. Now we not only curate art exhibitions, but also music festivals, handmade cheeses, wedding song lists, and even sandwiches (such as Subway's \"sandwich artists\") are being \"curated\". He believes that this phenomenon reflects the desire of modern people to establish personal taste, screen value and fight against choice anxiety in the era of information and commodity explosion. [1, 2, 3]\u003c\/p\u003e\n\u003cp\u003eThe history and evolution of the content\u003c\/p\u003e\n\u003cp\u003eThe book divides the development of curation into two major veins:\u003c\/p\u003e\n\u003cp\u003eWord origin and historical evolution: The origin of the word comes from the Latin cura (meaning care, care or responsibility). In the early Rome, the curators were state bureaucrats, and in the Middle Ages, they were priests who took care of the souls of the parish. In the Renaissance and Enlightenment, they turned into \"caretakers\" who kept and restored cultural relics in museums.\u003c\/p\u003e\n\u003cp\u003eMaster of the art world: Since the middle of the 20th century, with the rise of Avant-garde and conceptual art, curators have changed from behind-the-scenes custodians to **\"exhibition maker\" and \"taste determiner\"** (such as legendary curator Harald Szeemann or contemporary star curator Hans Ulrich Obrist). In the contemporary art world, the light of star curators sometimes even obscures and assimilizes the creations of individual artists. [1, 2, 3]\u003c\/p\u003e\n\u003cp\u003eCriticism and reflection\u003c\/p\u003e\n\u003cp\u003eThe cheapness of value: When any \"selection\" and \"editing\" behavior is crowned in the name of curation, the subjectivity that originally represented deep professionalism and appreciation is diluted and becomes a kind of immaterial labor (intangible labor) that adds commercial value to the content.\u003c\/p\u003e\n\u003cp\u003eClass and network drive: The contemporary art world is highly dependent on the endorsement of connections and curatorial institutions, which leads to the institutionalization and boredom of mainstream art, but suppresses the artistic creation that is truly grassroots and DIY spirit.\u003c\/p\u003e\n\u003cp\u003eSelf-curation in the digital era: In the era of social media, everyone \"curates\" their perfect life and personal brand through photos and words on the Internet, which makes curatorism eventually spread to everyone's self-awareness. [1, 2, 3, 4, 5]\u003c\/p\u003e","brand":"Meteor (HK) Ltd.","offers":[{"title":"Default Title","offer_id":48632201183430,"sku":null,"price":180.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0649\/7996\/0006\/files\/IMG_1273.jpg?v=1794031284","url":"https:\/\/meteor.com.hk\/zh-hant\/products\/david-balzer-curationism-how-curating-took-over-the-art-world-and-everything-else","provider":"Meteor (HK) Ltd.","version":"1.0","type":"link"}