{"product_id":"hans-ulrish-obrist-a-brief-history-of-curating","title":"Hans Ulrish Obrist   A Brief History Of Curating","description":"\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgSEAA\" data-complete=\"true\" data-processed=\"true\"\u003e《\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e策展簡史\u003c\/strong\u003e》（\u003cem class=\"zhvwWe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003eA Brief History of Curating\u003c\/em\u003e）是當代獨立策展巨擘\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e韓斯·烏爾里希·奧布里斯特\u003c\/strong\u003e（\u003cspan class=\"R78TQ\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\u003cspan data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\u003ca class=\"gQWhZ\" rel=\"noopener\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-ved=\"2ahUKEwjYsb_vk_WXAxXDkeEIHeMvCMcQy_kOeggIAggBCBIQAQ\" data-hveid=\"CAIIAQgSEAE\" href=\"https:\/\/www.google.com\/url?sa=i\u0026amp;source=web\u0026amp;rct=j\u0026amp;url=https:\/\/curatorsintl.org\/collaborators\/4633-hans-ulrich-obrist\u0026amp;ved=2ahUKEwjYsb_vk_WXAxXDkeEIHeMvCMcQy_kOeggIAggBCBIQAQ\u0026amp;opi=89978449\u0026amp;cd\u0026amp;psig=AOvVaw3z72GvqSB6WsIepIBvy8-6\u0026amp;ust=1794116753504000\" data-complete=\"true\" data-processed=\"true\" target=\"_blank\"\u003eHans Ulrich Obrist\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e，常稱 HUO）於 \u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e2008 年\u003c\/strong\u003e出版的重量級著作。這本書被視為現代當代藝術策展領域的必讀經典，開創了從「策展人視角」書寫藝術史的先河。\u003cspan\u003e [\u003ca href=\"https:\/\/www.researchgate.net\/publication\/345266086_Hans_Ulrich_Obrist_A_Brief_History_of_Curating_ZurichDijon_JRPRingierLes_Presses_du_reel_2008\"\u003e1\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgUEAA\" data-processed=\"true\" data-complete=\"true\"\u003e這本書並不是一本刻板的教科書，而是由一系列\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e深入的訪談紀錄\u003c\/strong\u003e所組成。奧布里斯特透過與 11 位在 1960 至 1970 年代極具開創性的傳奇策展人對話，勾勒出過去半個世紀以來策展專業的演變歷程——從早期的獨立策展實踐、歐美前衛的機構實驗計劃，到卡塞爾文獻展（Documenta）以及各式大型雙年展與藝術博覽會的興起。\u003cspan\u003e[\u003ca href=\"https:\/\/static1.squarespace.com\/static\/53ad8347e4b04c5fb2ec922d\/t\/552eb514e4b0e4e510512b70\/1429124372575\/hans-ulrich-obrist-a-brief-history-of-curating.pdf\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/cparpworthworthreynolds.wordpress.com\/review-the-review\/a-brief-history-of-curating-hans-ulrich-obrist\/\"\u003e2\u003c\/a\u003e, \u003ca href=\"https:\/\/www.amazon.com\/Brief-History-Curating-Ulrich-Documents\/dp\/390582955X\"\u003e3\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=ezT47c_2q\/fLk2Md\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgYEAA\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e📚 書籍核心結構與訪談名單\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgZEAA\" data-complete=\"true\" data-processed=\"true\"\u003e本書收錄了奧布里斯特與以下 11 位形塑現代藝術生態的關鍵策展人的珍貴對話（依英文版目次順序）：\u003cspan\u003e [\u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/sommaire.php?id=1343\u0026amp;menu=\"\u003e1\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cul class=\"XSq4R KI3fJ\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAI\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eWalter Hopps\u003c\/strong\u003e：美國傳奇策展人，對普普藝術與概念藝術推波助瀾。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAM\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003ePontus Hultén\u003c\/strong\u003e：龐畢度中心首任藝術總監，以打破跨學科界線的展覽聞名。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAQ\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eJohannes Cladders\u003c\/strong\u003e：德國策展人，在慕尼黑格拉德巴赫博物館進行了大量前衛實踐。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAU\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eJean Leering\u003c\/strong\u003e：荷蘭凡艾伯博物館館長，致力於將藝術與社會大眾連結。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAY\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eHarald Szeemann\u003c\/strong\u003e：將策展人定義為「獨立空間的創造者」與「精神客座勞工」的靈魂人物。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAc\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eFranz Meyer\u003c\/strong\u003e：瑞士藝術史學家與館長，大力支持賈科梅蒂與巴塞利茲等藝術家。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAg\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eSeth Siegelaub\u003c\/strong\u003e：概念藝術的幕後推手，將「展覽目錄」本身轉化為展覽空間。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAk\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eWerner Hofmann\u003c\/strong\u003e：漢堡美術館館長，對藝術史分類與博物館功能有深刻反思。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAo\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eWalter Zanini\u003c\/strong\u003e：巴西重要策展人，曾兩度策劃聖保羅雙年展。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAs\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eAnne d'Harnoncourt\u003c\/strong\u003e：費城美術館長期館長，杜象作品典藏的重要維護者。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAw\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eLucy Lippard\u003c\/strong\u003e：極具影響力的女性主義藝術評論家、作家與概念藝術策展人。\u003c\/span\u003e\u003cspan\u003e [\u003ca href=\"https:\/\/www.amazon.com\/Brief-History-Curating-Ulrich-Documents-ebook\/dp\/B0067EVQ6A\"\u003e1\u003c\/a\u003e]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=ezT47c_4k\/fLk2Md\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgdEAA\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e🌟 本書的核心價值\u003c\/div\u003e\n\u003cul class=\"XSq4R KI3fJ\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgeEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgeEAI\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e重新定義策展人\u003c\/strong\u003e：書中呈現了策展人如何從傳統的「博物館藏品看守人」（Curator 的拉丁語原意），轉變為\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e與藝術家並肩作戰的共同創作者、空間論述者以及全球漫遊的自由職業人\u003c\/strong\u003e。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgeEAM\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e口述歷史的保存\u003c\/strong\u003e：透過輕鬆卻深刻的對話，揭示了許多傳奇展覽背後不為人知的挑戰、歷史脈絡與策展思路，為年輕一代的藝術工作者提供了與過去大師連結的橋樑。\u003c\/span\u003e\u003cspan\u003e [\u003ca href=\"https:\/\/www.amazon.com\/Brief-History-Curating-Ulrich-Documents-ebook\/dp\/B0067EVQ6A\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/cparpworthworthreynolds.wordpress.com\/review-the-review\/a-brief-history-of-curating-hans-ulrich-obrist\/\"\u003e2\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA Brief History of Curating is a heavyweight published in 2008 by contemporary independent curator Hans Ulrich Obrist (commonly known as HUO). This book is regarded as a must-read classic in the field of modern contemporary art curation, and has pioneered the writing of art history from the \"curator's perspective\". [1]\u003c\/p\u003e\n\u003cp\u003eThis book is not a stereotyped textbook, but consists of a series of in-depth interview records. Through dialogues with 11 legendary curators who pioneered in the 1960s and 1970s, Aubrist outlined the evolution of the curating profession over the past half century - from early independent curating practices, avant-garde institutional experimental programs in Europe and the United States, to the rise of the Kassel Documenta and various large-scale biennials and art fairs. [ 1, 2, 3]\u003c\/p\u003e\n\u003cp\u003e📚 The core structure and interview list of books\u003c\/p\u003e\n\u003cp\u003eThis book contains precious dialogues between Aubrist and the following 11 key curators of modern art ecology (in order of the English version): [1]\u003c\/p\u003e\n\u003cp\u003eWalter Hopps: a legendary American curator, promoting Pupu art and conceptual art.\u003c\/p\u003e\n\u003cp\u003ePontus Hultén: the first artistic director of Pontus Hultén, famous for his cross-disciplinary exhibitions.\u003c\/p\u003e\n\u003cp\u003eJohannes Cladders: German curator, who has done a lot of avant-garde practice in the Gladbach Museum in Munich.\u003c\/p\u003e\n\u003cp\u003eJean Leering: The curator of the Van Aber Museum in the Netherlands is committed to linking art with the public.\u003c\/p\u003e\n\u003cp\u003eHarald Szeemann: Defines the curator as the soul of \"the creator of independent space\" and \"spiritual guest labor\".\u003c\/p\u003e\n\u003cp\u003eFranz Meyer: Swiss art historian and curator, who strongly supports artists such as Giacometti and Barcelitz.\u003c\/p\u003e\n\u003cp\u003eSeth Siegelaub: the behind-the-scenes pusher of conceptual art, transforming the \"exhibition catalog\" itself into an exhibition space.\u003c\/p\u003e\n\u003cp\u003eWerner Hofmann: The curator of the Hamburg Art Museum has a deep reflection on the classification of art history and the function of museums.\u003c\/p\u003e\n\u003cp\u003eWalter Zanini: an important curator in Brazil, who has planned the São Paulo Biennial twice.\u003c\/p\u003e\n\u003cp\u003eAnne d'Harnoncourt: the long-term curator of the Philadelphia Museum of Art and an important maintainer of Du Xiang's collection of works.\u003c\/p\u003e\n\u003cp\u003eLucy Lippard: an influential feminist art critic, writer and conceptual art curator. [1]\u003c\/p\u003e\n\u003cp\u003e🌟 The core value of this book\u003c\/p\u003e\n\u003cp\u003eRedefining curators: The book shows how curators can transform from the traditional \"museum collection keeper\" (the original Latin meaning of Curator) to co-creators, spatial discussants and freelancers who roam the world side by side with artists.\u003c\/p\u003e\n\u003cp\u003ePreservation of oral history: Through easy but profound dialogue, it reveals the unknown challenges, historical context and curatorial ideas behind many legendary exhibitions, providing a bridge for the younger generation of art workers to connect with past masters. [One, two]\u003c\/p\u003e","brand":"Meteor (HK) Ltd.","offers":[{"title":"Default Title","offer_id":48632210981062,"sku":null,"price":280.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0649\/7996\/0006\/files\/IMG_1270.jpg?v=1794030465","url":"https:\/\/meteor.com.hk\/products\/hans-ulrish-obrist-a-brief-history-of-curating","provider":"Meteor (HK) Ltd.","version":"1.0","type":"link"}