{"product_id":"hans-ulrich-obrist-ways-of-curating","title":"Hans Ulrich Obrist   Ways Of Curating","description":"\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgHEAA\" data-processed=\"true\" data-complete=\"true\"\u003e\n\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\u003cspan data-subtree=\"aimfl\" data-processed=\"true\"\u003e《策展的方法》（Ways of Curating）\u003c\/span\u003e是當代全球最具影響力的獨立策展人、倫敦蛇形畫廊（Serpentine Galleries）藝術總監 漢斯·烏爾里希·奧布里斯特（Hans Ulrich Obrist，常被稱為 HUO） 於 2014 年出版的代表性著作。這本書並非硬性的理論教科書，而是他結合自身超過 250 場國際展覽的實踐經驗、藝術史回顧以及與眾多頂尖藝術家的對話精髓，所凝聚出的一部策展實務與思維指南\u003c\/strong\u003e。\u003cspan\u003e [\u003ca href=\"https:\/\/www.amazon.com\/Ways-Curating-Hans-Ulrich-Obrist\/dp\/0865478198\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/curatorsintl.org\/collaborators\/4633-hans-ulrich-obrist\"\u003e2\u003c\/a\u003e, \u003ca href=\"https:\/\/theculturaldiegetic.substack.com\/p\/review-ways-of-curating-by-orbist\"\u003e3\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgLEAA\" data-complete=\"true\" data-processed=\"true\"\u003e以下為本書的核心精髓與亮點概述：\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=ktInw_12\/fLk2Md\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgMEAA\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e核心概念：什麼是策展？\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgNEAA\" data-complete=\"true\" data-processed=\"true\"\u003e奧布里斯特在書中追溯了「策展」的本質與演變：\u003cspan\u003e [\u003ca href=\"https:\/\/us.macmillan.com\/books\/9780374535698\/waysofcurating\/\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/www.amazon.com\/Ways-Curating-Hans-Ulrich-Obrist\/dp\/0865478198\"\u003e2\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cul class=\"XSq4R KI3fJ\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgPEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgPEAI\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e字源的守護本質：\u003c\/strong\u003e 策展（Curating）源自拉丁文 \u003cem class=\"zhvwWe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003ecurare\u003c\/em\u003e，意為**「照顧」或「培育」**。策展人的首要任務是照顧藝術品、保護藝術家，並擔任藝術家的「陪練員」（Sparring partner）與促成者，而非與藝術家競爭的創作者。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgPEAM\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e建立連結的橋樑：\u003c\/strong\u003e 策展的本質是**「製造交會點」**（Making junctions），讓原本不相干的元素、領域與思想在同一個空間中產生碰撞與觸碰。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgPEAQ\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e主動創造現實：\u003c\/strong\u003e 奧布里斯特強調，展覽不應該只是對已有觀念的「插圖說明」，而是要**「生產現實」**（Produce reality），主動介入並形塑大眾體驗世界的方式。\u003c\/span\u003e\u003cspan\u003e [\u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/2014\/mar\/23\/hans-ulrich-obrist-art-curator\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/waysofcurating.withgoogle.com\/publication\/ways-of-curating\"\u003e2\u003c\/a\u003e, \u003ca href=\"https:\/\/theculturaldiegetic.substack.com\/p\/review-ways-of-curating-by-orbist\"\u003e3\u003c\/a\u003e, \u003ca href=\"https:\/\/www.amazon.com\/Ways-Curating-Hans-Ulrich-Obrist\/dp\/0865478198\"\u003e4\u003c\/a\u003e]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=ktInw_25\/fLk2Md\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgSEAA\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e本書的三大思維軸線\u003c\/div\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"AdPoic\" aria-level=\"5\" role=\"heading\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=ktInw_27\/fLk2Md\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgTEAA\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e1. 個人實踐與傳奇的起點\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgUEAA\" data-complete=\"true\" data-processed=\"true\"\u003e書中生動記述了奧布里斯特的策展起點——1991 年，年僅 23 歲的他利用自己\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e廚房\u003c\/strong\u003e舉辦的處女秀展覽 \u003cem class=\"zhvwWe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003eWorld Soup (The Kitchen Show)\u003c\/em\u003e。這個實驗性的項目打破了傳統美術館的白盒子（White Cube）限制，展示了策展可以發生在任何日常空間，也奠定了他打破學科邊界、強調流動性與日常性的策展風格。\u003cspan\u003e [\u003ca href=\"https:\/\/cdn.bookey.app\/files\/pdf\/book\/en\/ways-of-curating.pdf\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/artsandculture.google.com\/experiment\/ways-of-curating\/FgEYH9tE94L0Fg?hl=en\"\u003e2\u003c\/a\u003e, \u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/2014\/mar\/23\/hans-ulrich-obrist-art-curator\"\u003e3\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"AdPoic\" aria-level=\"5\" role=\"heading\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=ktInw_2r\/fLk2Md\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgXEAA\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e2. 對歷史的致敬與「未實現的展覽」\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cul class=\"XSq4R KI3fJ\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgYEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgYEAI\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e藝術史的傳承：\u003c\/strong\u003e 他回顧了從 17 世紀的「珍奇屋」（Wunderkammer）到現代博物館的演進史，並致敬了對他深具啟發的策展先驅（如 Harald Szeemann、Walter Hopps、Diaghilev 等）。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgYEAM\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e未完成的檔案：\u003c\/strong\u003e 奧布里斯特特別著迷於**「未實現的項目」**（Unrealized projects）。他認為那些因為技術、資金或時代限制而未能落地的藝術構想，往往蘊含著最前衛的能量，策展人的職責之一就是挖掘並釋放這些被埋沒的潛能。\u003c\/span\u003e\u003cspan\u003e [\u003ca href=\"https:\/\/waysofcurating.withgoogle.com\/publication\/ways-of-curating\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/www.amazon.com\/Ways-Curating-Hans-Ulrich-Obrist\/dp\/0865478198\"\u003e2\u003c\/a\u003e, \u003ca href=\"https:\/\/us.macmillan.com\/books\/9780374535698\/waysofcurating\/\"\u003e3\u003c\/a\u003e, \u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/2014\/mar\/23\/hans-ulrich-obrist-art-curator\"\u003e4\u003c\/a\u003e, \u003ca href=\"https:\/\/cdn.bookey.app\/files\/pdf\/book\/en\/ways-of-curating.pdf\"\u003e5\u003c\/a\u003e]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"AdPoic\" aria-level=\"5\" role=\"heading\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=ktInw_3n\/fLk2Md\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgZEAA\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e3. 與大師的對話互鑒\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgaEAA\" data-complete=\"true\" data-processed=\"true\"\u003e書中穿插了他與無數當代傳奇藝術家（如 Gerhard Richter、Louise Bourgeois、Gilbert \u0026amp; George、Yoko Ono 等）的深度交往與啟發。例如：\u003cspan\u003e [\u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/2014\/mar\/23\/hans-ulrich-obrist-art-curator\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/waysofcurating.withgoogle.com\/publication\/ways-of-curating\"\u003e2\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cul class=\"XSq4R KI3fJ\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAI\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e藝術家約翰·巴爾代薩里（John Baldessari）曾將策展人比喻為**「大廚」**，負責將不同的食材（藝術品）調配成一道盛宴。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgbEAM\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e藉由跨越當代藝術、建築、科學與哲學的對話，展示了策展作為一種**「知識生產」**的跨學科方法。\u003c\/span\u003e\u003cspan\u003e [\u003ca href=\"https:\/\/artsandculture.google.com\/experiment\/ways-of-curating\/FgEYH9tE94L0Fg?hl=en\"\u003e1\u003c\/a\u003e, \u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/2014\/mar\/23\/hans-ulrich-obrist-art-curator\"\u003e2\u003c\/a\u003e, \u003ca href=\"https:\/\/waysofcurating.withgoogle.com\/publication\/ways-of-curating\"\u003e3\u003c\/a\u003e]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=ktInw_4o\/fLk2Md\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgdEAA\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e延伸數位體驗\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQgeEAA\" data-complete=\"true\" data-processed=\"true\"\u003e除了實體書籍，此計畫亦延伸至由 Google Arts \u0026amp; Culture 攜手打造的 \u003cspan class=\"R78TQ\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\u003cspan data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\u003ca class=\"gQWhZ\" rel=\"noopener\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-ved=\"2ahUKEwia0uXPlPWXAxWqwzgGHY5UPXsQy_kOeggIAggBCB4QAQ\" data-hveid=\"CAIIAQgeEAE\" href=\"https:\/\/www.google.com\/url?sa=i\u0026amp;source=web\u0026amp;rct=j\u0026amp;url=https:\/\/artsandculture.google.com\/experiment\/ways-of-curating\/FgEYH9tE94L0Fg?hl%3Den\u0026amp;ved=2ahUKEwia0uXPlPWXAxWqwzgGHY5UPXsQy_kOeggIAggBCB4QAQ\u0026amp;opi=89978449\u0026amp;cd\u0026amp;psig=AOvVaw1jVyXb7GtWDFXW5EAmXRwH\u0026amp;ust=1794116955458000\" data-complete=\"true\" data-processed=\"true\" target=\"_blank\"\u003eWays of Curating 線上互動平台\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e。該平台將奧布里斯特三十多年來的 200 多個跨領域策展項目數位化，以網絡圖譜的形式呈現，讓讀者與觀者能直觀地追蹤全球思想家、藝術家與各主題之間的動態連結。\u003cspan\u003e [\u003ca href=\"https:\/\/artsandculture.google.com\/experiment\/ways-of-curating\/FgEYH9tE94L0Fg?hl=en\"\u003e1\u003c\/a\u003e]\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003chr class=\"s6NV4e\" data-sfc-root=\"c\" data-sfc-pl=\"|||[]\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAA\" data-complete=\"true\" data-processed=\"true\"\u003e這本書是了解現代策展不可或缺的經典，對於藝術管理學生、文化工作者以及任何想理解當代藝術如何運作的人來說，都是極具啟發性的必讀之作。\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\n\u003cp\u003eWays of Curating is a representative work published in 2014 by Hans Ulrich Obrist (often known as HUO), the world's most influential independent curator and artistic director of Serpentine Galleries in London. This book is not a rigid theoretical textbook, but a curatorial practice and thinking guide that combines his practical experience of more than 250 international exhibitions, the review of art history, and the essence of dialogue with many top artists. [1, 2, 3]\u003c\/p\u003e\n\u003cp\u003eThe following is an overview of the core essence and highlights of this book:\u003c\/p\u003e\n\u003cp\u003eCore concept: What is curation?\u003c\/p\u003e\n\u003cp\u003eAubrest traces the essence and evolution of \"curation\" in the book: [1, 2]\u003c\/p\u003e\n\u003cp\u003eThe guardian essence of the word source: Curating comes from the Latin curare, which means **\"take care\" or \"cultivate\"**. The first task of the curator is to take care of the artwork, protect the artist, and act as the artist's \"Sparring partner\" and promoter, not the creator who competes with the artist.\u003c\/p\u003e\n\u003cp\u003eBuilding a bridge of links: The essence of curating exhibition is **Making junctions**, so that originally unrelevant elements, fields and ideas collide and touch in the same space.\u003c\/p\u003e\n\u003cp\u003eActively create reality: Aubrest emphasized that the exhibition should not be just an \"illustration\" of existing ideas, but should **\"Produce reality\"**, actively intervene and shape the way the public experiences the world. [1,2,3,4]\u003c\/p\u003e\n\u003cp\u003eThe three major thinking axes of this book\u003c\/p\u003e\n\u003cp\u003e1. The starting point of personal practice and legend\u003c\/p\u003e\n\u003cp\u003eThe book vividly describes the starting point of Aubrest's curation - in 1991, when he used his kitchen to hold his debut exhibition World Soup (The Kitchen Show) at the age of 23. This experimental project breaks the White Cube restrictions of traditional art galleries, shows that curation can take place in any daily space, and also lays the foundation for his curatorial style that breaks the boundaries of disciplines and emphasizes mobility and daily life. [1, 2, 3]\u003c\/p\u003e\n\u003cp\u003e2. Tribute to history and \"unrealized exhibition\"\u003c\/p\u003e\n\u003cp\u003eInheritance of art history: He reviewed the evolution from the 17th century \"Wunderkammer\" to the modern museum, and paid tribute to the curatorial pioneers who inspired him (such as Harald Szeemann, Walter Hopps, Diaghilev, etc.).\u003c\/p\u003e\n\u003cp\u003eUnfinished files: Aubrest is particularly fascinated by **\"Unrealized projects\"**. He believes that those artistic ideas that fail to be implemented due to technology, funds or times often contain the most avant-garde energy, and one of the responsibilities of curators is to explore and release these buried potentials. [1, 2, 3, 4, 5]\u003c\/p\u003e\n\u003cp\u003e3. Dialogue with the master\u003c\/p\u003e\n\u003cp\u003eThe book is interspersed with his in-depth interaction and inspiration with countless contemporary legendary artists (such as Gerhard Richter, Louise Bourgeois, Gilbert \u0026amp; George, Yoko Ono, etc.). For example: [1, 2]\u003c\/p\u003e\n\u003cp\u003eArtist John Baldessari once compared the curator to **\"chef\"**, responsible for mixing different ingredients (artworks) into a feast.\u003c\/p\u003e\n\u003cp\u003eThrough the dialogue across contemporary art, architecture, science and philosophy, it shows that curation is an interdisciplinary method of **\"knowledge production\"**. [1, 2, 3]\u003c\/p\u003e\n\u003cp\u003eExtend the digital experience\u003c\/p\u003e\n\u003cp\u003eIn addition to physical books, this plan also extends to the Ways of Curating online interactive platform created by Google Arts \u0026amp; Culture. The platform digitizes more than 200 cross-field curation projects in Aubrest for more than 30 years and presents them in the form of a network atlas, so that readers and viewers can intuitively track the dynamic links between global thinkers, artists and themes. [1]\u003c\/p\u003e\n\u003cp\u003eThis book is an indispensable classic for understanding modern curation. It is a very inspiring must-read for art management students, cultural workers and anyone who wants to understand how contemporary art works.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAIIAQggEAA\" data-complete=\"true\" data-processed=\"true\"\u003e\u003c\/div\u003e","brand":"Meteor (HK) Ltd.","offers":[{"title":"Default Title","offer_id":48632206590150,"sku":null,"price":180.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0649\/7996\/0006\/files\/IMG_1271.jpg?v=1794030698","url":"https:\/\/meteor.com.hk\/products\/hans-ulrich-obrist-ways-of-curating","provider":"Meteor (HK) Ltd.","version":"1.0","type":"link"}